3 Review(s)

The play follows Arbaces, the proud and hot-tempered king of Iberia, who is celebrated for his recent military victories. Despite his strength and valor, Arbaces is tormented by inner turmoil, particularly by his sudden and intense attraction to his sister, Panthea. This forbidden desire sets off a struggle within him, leading to moments of introspection and self-reproach as he grapples with his conflicting emotions and sense of duty as a ruler. The tension builds as Arbaces’s attraction creates conflicts within his court and among his allies.A twist in the final act reveals that Arbaces and Panthea are not, in fact, siblings, making his love for her acceptable by the play’s end. This revelation allows for a happy resolution, blending both tragic and comedic elements in a manner typical of tragicomedy. A King, and No King is notable for its portrayal of intense psychological conflict and its exploration of the nature of kingship and personal honor. The play remains a compelling study of complex human emotions and societal roles, demonstrating Beaumont and Fletcher’s skill in balancing drama with moral questions and character-driven intrigue.