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In ancient India, women competed to win the title of Nagarvadhu, quite literally the town’s consort.For certain temple worship (Agamas), dance and music were necessary ingredients. The women artistsdedicated to the worship—Devadasis and Maharis—had a high rank and dignity in society.Tawaifs were central to Mughal court culture from the sixteenth century. It is also believed that youngheirs were sent to courtesans to learn ‘tameez’ and ‘tehzeeb’, including the appreciation of good musicand literature.Courting Hindustan is a deeply researched, elegantly crafted portrait of some of the most intriguingwomen figures practising traditional Indian entertainment art forms such as, music, dance andpoetry. It relives 2,500 golden years of women being elite traditional performers and how, over thecenturies, they have captured the imagination of the country and the world at large, their art andlives being a complex response to social forces and cultural conditions.Courting Hindustan delves into the scintillating world of courtesans who went on to become empresses,queens, prima donnas, pioneer filmmakers, music directors, ace dancers and so much more. Manyof them went on to rule kingdoms, enjoyed positions of great power; many were venerated bygovernments and yet they lived on the fringes of society. In many ways, these were women, firstof their kind, to survive an entrenched patriarchal society and break the chains imposed on them,paving the way for generations of women to come and conquer.