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रवीन्द्रनाथ एक ऐसे लोक कवि थे जिनका केंद्रीय तत्त्व आदमी की भावनाओं का परिष्कार करना था। वह मनुष्य मात्र के स्पंदन के कवि थे। एक ऐसे चित्रकार जिसके रंगों में शाश्वत प्रेम की गहरी अनुभूति है, एक ऐसा नाटककार जिसके रंगमंच पर सिर्फ ‘त्रादसी’ ही जिंदा नहीं है, मनुष्य की गहरी जिजीविषा भी है। एक ऐसा कथाकार जो अपने आस-पास से कथालोक चुनता है, बुनता है, सिर्फ इसलिए नहीं कि घनीभूत पीड़ा की आवृत्ति करे या उसे ही अनावृत करे बल्कि उस कथालोक में वह आदमी के अंतिम गंतत्व की तलाश भी करता है। वर्तमान की गवेषणा, तर्क और स्थितियों के प्रति वह सदैव सजग रहे। यही कारण है कि रवीन्द्र क्षितिजीय आकांक्षा के लेखक हैं।+It is an attainment for the Hindi Literature that at the very initial times of its journey, it got a deft painter of human mind like Munshi Premchand. As a story writer Munshi Premchand had become a legend in his own life time. The themes of his stories are rooted to the rural life with urban social life appearing as the contrast to illustrate a complete picture of contemporary life. They also effected the foundation of a new philanthropic heritage of welfare of society. His distinctive style and content are deeply steeped in the hardcore of reality. In view of variety of topics, he, as though, has encompassed the entire sky of humane world into his fold, and are generally based upon some inspiration or experience. Each of Munshi Premchands stories unravels many sides of human mind, streaks of humans conscience, the evils in some societal practices and heterogeneous angles of economic tortures. His stories are the strongest assets of our literature, thus are still relevant today, as much as they were five decades ago. His stories have been translated in almost all the languages of India and world.