3 Review(s)

The present anthology contains the articles of the following academicians and researchers; Dr. Ratnesh Baranwal’s “The Feminine Sensibility in Shashi Deshpande’s Novels”, Pragati Gupta’s “Exploring and Situating the Discourse of Gender in Indian Writing in English”, Sanju Jhajharia’s “Varied Types of Marginalization: A Critical Study of Ismat Chughtai’s Dust of The Carvan and In The Name of Those Married Women”, Dr. Shruti Tripathi’s “The Domestic front in the Poetry of Charlotte Mew- A Cameo Cut in Steel”, Prof. L.U.B. Pandey’s “Reconsidering J.P. Sartre’s and Anita Desai’s Art of Characterisation”, Sruthi V S’ “Thematic Comparison of the ‘Mad Woman’ from the Novel Jane Eyre and the Short Story ‘The Yellow Wallpaper’”, Prof. Prajakta S. Raut’s “ ...And The Twins do meet finally!: Image of India Reflected in English Poetry in the Wake of East-West Encounter”, Tanbir Shahnawaz’s “A Poignant Insight into Alienation, Suffering and Hope out of corona anxieties: A Critical Study of Katherine Anne Porter’s Pale Horse, Pale Rider”, Dr. Amandeep Rana’s “The Spectrum of Desire: Spiritual Suffering in R.K. Narayan’s The Dark Room and The Bachelor of Arts”, and Dr. Sandhya Tripathi’s “Indian Ethos in Sarojini Naidu’s Poetry”.