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The Villa dei Papiri at Herculaneum buried during the eruption of Mt. Vesuvius in A.D. 79, then rediscovered in 1750 contained a large collection of bronze and marble statuary and busts. Before they were published or exhibited, the sculptures were restored so as to appear whole: it is thus that they helped to shape early modern tastes in classical sculpture. Scholars have sought to assign names to the individual busts and statues and to discover a unified, planned sculptural program for the decoration of the Villa dei Papiri. Here, however, more objective questions are asked: Are the bronzes uniform enough in production technique and alloy or marble source to justify the notion of a single sculptural program? Did the owner of the Villa purchase the statues from one or from several sources?