3 Review(s)

Victorian women's autobiography emerged at a historical moment when the field of life writing was particularly rich. Spiritual autobiography was developing interesting variations in the heroic memoirs of pioneering missionary women and in the probing intellectual analyses of Nonconformists, Anglicans, agnostics, and other religious thinkers. The "chroniques scandaleuses" of the 18th century were giving way to the respectable artist's life of the professional Victorian woman. The domestic memoir, a Victorian variation on the family histories of the 17th and 18th centuries, flourished in a culture that celebrated the joys of home, family and private life. Perhaps most importantly, Victorian women writers were experimenting with all these forms in various combinations and permutations. Arguing that women's autobiography does not represent a singular separate tradition but instead embraces multiple lineages, Linda H. Peterson explores the poetics and politics of these diverse forms of life writing.She analyzes the polemical "Autobiography" of Harriet Martineau and "Personal Recollections" of Charlotte Elizabeth Tonna, the missionary memoirs that challenge Charlotte Bronte's Jane Eyre, the romantic autobiographies of the poet and poetess that Barrett Browning reconstructs in "Aurora Leigh", the professional life stories of Margaret Oliphant and her contemporaries, and the Brontean and Eliotian bifurcations of Mary Cholmondeley's memoirs. The desire to know the details of other women's lives - and to use them for one's own purposes - underlies much Victorian women's autobiography, even as it helps to explain our continuing interest in their accounts.