3 Review(s)

Kamal Kumar Majumdar once endangered the existence of the reader by erecting a wall of a difficult, exceptional prose style. Yet the inner world of his fiction has been full of the creation and mystery of the Maya of Life from the very beginning. He spread the definition of life, wonder and questioning with an immense significance in his novels and stories. He is unwavering in his two-layer prose practice like evening language. Yet, after removing the veil of genre difficulty and entering the world of Kamal Kumar's creation, the reader gradually discovers the uniqueness of this writer. The reader feels that the artistic world he has created about human crises and problems is consonant with the present era. The background of Kamal Kumar's novels is colorful and colorful. He is committed to the accuracy of the narrative. The breadth of the content in his limited number and short stories may be less, but they are extraordinary in depth. In each story, he depicts the mysterious feelings and thoughts. The characters he creates are life-oriented. Not life-averse. They are at the same time outsiders full of vitality, and eternal inner people with a mysterious existence. Kamalkumar's self-created prose language is absolutely unique in the history of Bengali prose literature. His language is like a carrier of a unique authorship. This language, covered in armor, is lyrical, as well as pictorial. Perhaps it has more sculpturality than lyricism. He is often an inimitable creator in creating imagery, word pictures and metaphors. This language is an inimitable 'amazing tower.' Kamalkumar has left his signature on the opposite journey in traditional Bengali as well. Kamalkumar consciously chose this prose style, sometimes filled with the most complex sentences, sometimes without complete separation but carrying a profound meaning, as the medium for his novels. In Sunil Gangopadhyay's opinion, 'Kamal Kumar has strengthened the armor of language in his stories day by day in order to create a small but attentive readership.' Despite his attempted arrangement, Kamal Kumar is a distinctive writer in Bengali literature. His novels cannot be excluded from the discussion and evaluation of the value of fiction. Rather, he will be remembered and read as a proverb of literature. His novels have been accepted in his collection: Antarajali Yatra, Golap Sundari, Anila Samrane, Shyam-Nauka, Suhasinir Pometam, Pinjare Basiya Shuk, Khel Pratibha and Sabarimangal. Along with an extensive bibliography and introduction by Sunil Gangopadhyay.