3 Review(s)

A hermeneutic engagement with Maithili folk songs allows this book to hinge upon the notions of living and dying in the contemporary world despite the admission that medicine, insurance, market, and media may condition human experiences. Amidst the binaries of union and separation, rigid religion and fluid faith, popular and folk, modernity and tradition, central to this book is the pluralism of cultural script(s) and their philosophical musings on living and dying, folk philosophy, cultural subversion as well as reconciliation. Predominantly sung by women, the folksongs of Mithila are woven around calendar of events, rites of the passage, and everyday life situations. The cultural scape of sound and sight thus conjures a fusion of epistemology and ontology, knowledge and existential being, the classicalSanskritic-textual and the folk subaltern-oral. Straddling the particular context of Maithili folksongs and the generic aspects of folk world view, steering across.