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The new series—Studies in Women Writers in English—is a grateful acknowledgment of the contribution and public recognition of the emerging voice of women in the arena of literature during the last few centuries, and especially in the latter half of the twentieth century. Women writers across the globe have made their distinctive mark, with their own perception of life—be it feminine, or feminist or female. The critique of work by women writers introduced in the present volume, the sixth in the series, bears evidence to the growing critical attention towards authors writing outside the mainstream, in America, Canada, and especially in India, who can be seen sharing similar awareness and feelings regarding the woman’s angst and aspirations. Since most of the authors discussed in these articles are prescribed in the English syllabus in the universities of India, both the teachers and the students will find them extremely useful, and the general readers who are interested in literature in English and/or women writers will also find them intellectually stimulating. About Author: A full Professor since 1982, Dr Mohit K. Ray is one of the seniormost Professors in the country. Apart from his immensely rich exploration of Comparative Poetics, “A Comparative Study of the Indian Poetics and the Western Poetics” (UGC-sponsored Major Research Project), Professor Ray has four books and a large number of research papers published in scholarly journals in India and abroad, which reflect his wide range of scholarship including Criticism, Comparative Literature, New Literatures, Canonical Literature, Comparative Poetics and Translation Studies. Professor Ray has attended and chaired sessions as an invited participant in many international Conferences, Seminars, and Colloquia held in different parts of the globe—England, France, Portugal, Austria, Finland, Estonia, America, Canada, Japan, Hong Kong, etc. Professor Ray has studied several languages including Latin, Sanskrit, Arabic, French, and German. He has edited several anthologies of critical studies, and edits The Atlantic Critical Review, an international quarterly of global circulation. He is also at present the Chief Editor of Atlantic Publishers & Distributors (P) Ltd., New Delhi. Professor Ray is associated with many international bodies including Association Internationale de Littérature Comparée, Paris, and Association Internationale des Critiques Littéraires, Paris. Dr Rama Kundu is a full Professor of English. She has been teaching in the Postgraduate Department of English, Burdwan University, West Bengal, since 1976. She is the author of five books: Vision and Design in Hardy’s Fiction, Wrestling With God: Studies in English Devotional Poetry, Anita Desai’s Fire on the Mountain, New Perspectives on British Authors: From William Shakespeare to Graham Greene, Anandamath O Sampradaikta, a Bengali book on Bankimchandra Chattopadhyay. She has also edited an anthology of research papers on Rabindranath Tagore’s The Home and the World, a collection of essays on Thomas Hardy, two volumes of critical studies on Indian Writing in English, five anthologies of Studies in Women Writers in English, two volumes of critical essays on Salman Rushdie, and recently a festschrift, Widening Horizons: Essays in Honour of Professor Mohit K. Ray, in addition to translating a volume of poems into English—On the Revolving Stage. She has written a large number of research papers published in scholarly journals and anthologies in India and abroad. Professor Kundu has participated and chaired sessions in a large number of National and International Seminars and Conferences including several stints in Europe.