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About The Book: In this book, "The Sanskrit Drama in its Origin, Development Theory & Practice" meticulously traces the evolution of Sanskrit theatre through various epochs and influences. Part I explores the genesis of Sanskrit drama, analyzing its Vedic roots, post-Vedic developments, and the cultural context surrounding its emergence. It investigates religious and secular theories, Greek influences, and the contributions of literary predecessors. Part II delves into the maturation of Sanskrit drama, examining Buddhist influences, linguistic elements, and the works of significant playwrights like Bhasa and Kalidasa. It also scrutinizes the styles, languages, and meters employed by these dramatists. Part III delves into the theoretical framework of Sanskrit drama, exploring its nature, plot structures, character portrayals, and the impact of theoretical treatises. It also draws parallels with Aristotelian poetics and discusses the role of performance elements such as dance and music. Part IV shifts focus to practical aspects, detailing the theatrical setup, actors, costumes, and audience interaction, offering insights into the immersive experience of Sanskrit theatre. Overall, the book presents a comprehensive analysis of Sanskrit drama, elucidating its historical development, theoretical foundations, and practical manifestations. About The Author: Arthur Berriedale Keith (1879–1944) was a distinguished Scottish scholar renowned for his expertise in constitutional law, Sanskrit, and Indology. He held the prestigious position of Regius Professor of Sanskrit and Comparative Philology at the University of Edinburgh from 1914 to 1944. Educated at the University of Edinburgh and Balliol College, Oxford, Keith demonstrated exceptional aptitude in classical studies. Before transitioning to academia, he held several roles in the Colonial Office. Keith's profound contributions significantly enriched the fields of Sanskrit studies and constitutional law. The Title 'The Sans